Artificiel (A. Burton, J. Roy et J. Lakatos)
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Repertoire for saxophones and electronics
| Composer(s) | Title | Texte personnalisé | Instrumentation | ||
|---|---|---|---|---|---|
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La beauté insoutenable de la brique brute | Saxophone quartet and digital processing (audio and video) | |||
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Mes Ententes pour 4 personnages | 2012 | Saxophone quartet and electroacoustics | ||
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interference (all we've ever had is each other) | 2017 | For saxophone quartet and feedback system | ||
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Not thinking about the elephants | 2018 | Saxophone quartet (SATB) and live electronics | ||
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An image of the distances between | 2021 | |||
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BREATH / (DON'T) | 2017 | Saxophone quartet (SATB) and electronic devices | ||
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Adversité | Saxophone quartet and electronics | |||
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In and out | Saxophone quartet and electronics | |||
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Kalié-Nas | Saxophone quartet, wheels and electronics | |||
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Le Cri des oiseaux fous | 2012 | Saxophone quartet (SATB), soloist-improvisor and live electronics | ||
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Phare Far | 2014 | for saxophone quartet and live electronics | ||
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Manuel Brossard |
Éléphantesque | Saxophone quartet and electronics | |||
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Alexandre Burton |
Radar | 2007 | |||
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Lux Operon | 2018 | For saxophone quartet, lights and live electronic device | ||
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Salomon's sound-houses | 2006 | for saxophone quartet and electronics | ||
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Accident | 2001 | pour saxophone soprano et traitement en temps réel | ||
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Manu Militari | 2003 | for saxophone quartet and live electronics | ||
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hyperboles 3 ("so vast a vacuity") | 2017 | Saxophone quartet (SATB) and live electronics | ||
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Predator Drones MQ-1 | 2013 | for saxophone quartet and electronics | ||
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Anvils and Parachutes | 1993 | for saxophone quartet and tape | ||
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Pim'po | for saxophone quartet and live electronics | |||
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multiple views of a same object | 2019 | for fixed media electronics and saxophone quartet | ||
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Ouvrons, tendons et prêtons l’oreille | 2019 | Pour quatuor de saxophones et dispositif électronique | ||
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La vie quotidienne | 2010 | for saxophone quartet and electronics | ||
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MAINS HUM | 2017 | Saxophone quartet and haptic notifiers | ||
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Widdershins (le monde merveilleux du Marquis de Sade) | 2009 | for virtual tape and amplified saxophone quartet (with or without live signal processing | ||
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God keep our land glorious and rich | 2018 | For saxophone quartet and electronic devices | ||
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Brumes matinales et textures urbaines | 2007 | for saxophone quartet and live electronics | ||
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Entre chien et loup | 2014 | For baritone saxophone and digital treatment in real time | ||
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PING | 2017 | Saxophone quartet (SATB), electronic devices, "video chat" and "strobe lights" |