How to create a sound work that aims to generate an indeterminacy of the space-time continuum? 

The work—in its final form—is a way of answering this question with sound, but now for more details: the visual-sonic concept used for its creation is the line, with sound being the extension and behaving as a kind of line (the notion of the continuum). These sounds, written in a certain way, seek their indeterminacy in time; and in terms of space, the sounds are indeterminate due to many micro-factors. 

This work was created from meditations on Sound-Based Composition. Towards the end of the work, a sound representation of a prism can be heard. The work was composed for the Montréal-Monterrey, le souffle des corps project, a collaboration with the choreographer Lila Geneix. To a large extent, many of the sounds in the work resulted from our pleasant conversation. Indeterminacy of the [space-time] continuum is the second work being developed for the Quasar saxophone quartet, to whom the piece is also dedicated. It was composed with the support of the National System of Art Creators.

[...] And what does the box mean? [...] dedicated to the Quasar and the white snow of Montreal, to walking [...]